Great Ghost Drama

Blessed with a full size stage and auditorium, the school always had an active drama program. In the 1930s: Trial by Jury, Yeoman of the Guard and even an original play, Full O the Moon were performed.  In later years a blend of Shakespearean plays and Broadway comedies were produced along with other works. The known productions were:

Directed  by Charles Rittenhouse :
1933/34 A Midsummer Night's Dream (March 1934)
1934/35 The Mikado (March 1935) and As You Like It (December 1934).
1935/36 Romeo and Juliet (December 1935)
1936/37 H.M.S. Pinafore and Taming of the Shrew (December 1936)

1938/39 The Pirates of Penzance, directed by Frank K. Hansen
1940/41 A Victory Loan Youth Play and The Translation of John Snaith 
1941/42  Elizabeth Refuses and Patelin directed by Miss Denton and Mr. John Dando

Directed by Filmore Sadler :
Twelfth Night,
Arsenic and Old Lace

I Remember Mama

1959/60 Yeoman of the Guard (originally scheduled for 1958/59)

Directed by Bertha Rohr:
1961/62 Out of the Frying Pan,
1962/63 Time Out For Ginger
1963/64  Ladies in Retirement
1964/65  The Heiress
1967/68: You Can't Take It With You
1968/69:  The Man Who Came to Dinner
1969/70: Arsenic and Old Lace

1942 Drama Production of Patelin

March 1962 production of Out of the Frying Pan

Arsenic and Old Lace

In the 1960s, under the critical eye of director/producer/den mother Bertha Rohr MHS produced a number of successful plays. They were a box office success because parents and were guilted into attending. For participants the dress rehearsal was the most terrifying. That's because it was held in front of the critical eyes of the student body a day before the evening run began. Critics in the audience would shout suggestions as the play progressed, as well as identifying actors with whistles and boos as they emerged onto the stage.

The amount of effort and time involved, particularly by Mrs. Rohr, was impressive. And all for a couple of nights performances in February or March. Who cared if we didn't fully understand the humour in the plays (she invariably chose comedies from the 1930s), and a lot of us were, to be truthfulaccurate, brutal in the roles. We learned a lot, and more importantly, got out of class for rehearsals. Bertha Rohr retired in 1970 and t could be said that school's drama legacy retired along with her.

Arsenic and Old Lace, Bertha Rohr's last Monklands production in 1970 (photo courtesy of Harald Wolf  MHS '70)

(Karl Kelton, Lonnie Brodkin, Sylvia Witt, Sami Youakim, Margaret Caldbick)